In contemporary dance, 'whiteness' has long been the canvas on which performances have been painted. Historically, the dance domain has been dominated by white performers, choreographers, and audiences, leading to a certain perception of what dance should look like. The influence of whiteness in dance education can be seen in the prioritization of Western dance techniques and aesthetics, often sidelining non-Western forms. However, this picture has been changing over the years, with an increasing number of dancers and choreographers of color challenging the status quo. Dancers like Alvin Ailey and Misty Copeland have shifted the narrative, introducing diversity in choreographic content and representation. Their performances, echoing stories and experiences of people of color, have been instrumental in challenging the predominance of whiteness in dance. In addition to individual contributions, there has been a broader movement towards diversifying dance - from educational curricula to performances on stage. This change is essential, as it allows a broader spectrum of voices, stories, and bodies to be seen and heard in the dance world. Diversity in contemporary dance fosters cultural understanding and empathy, breaking down barriers and stereotypes. It allows dance to be a true reflection of our diverse society, opening the floor to all, irrespective of their skin color. As we continue to pirouette into the future, the dance of colors becomes more vibrant, painting a more inclusive and representative picture of contemporary dance.